OMD are also currently on tour.

Track Listing

1. Polyrhythm
2. SEVENTH HEAVEN
3. Polyrhythm -extra short edit-
4. Polyrhythm ~Original Instrumental~
5. SEVENTH HEAVEN ~Instrumental~

1. Polyrhythm

It's what really started the Perfume rush.  This song that's about recycling and many rhythms (hence the title) is so friggin catchy.  The music is numbing to my ears and its soooo good.  The chorus could use a little work, but when they get to the repetitive part saying ~Polyrizumu and Polyloopu~ that's where the song just becomes beyond awesome.  All 3 girls get a solo line and its ahhhhh.  Best song of their career even though "love the world" is up there too.

2. SEVENTH HEAVEN

A beautiful piano line starts this pretty smooth ballad perhaps?  It's still dance but it doesn't sound like a lot of the other songs.  I really enjoyed this laidback tune and how relaxed the girls are.  Especially when they say ~Seboonth Heaben~.  The song is pretty much a prelude to what "Baby cruising Love" was.  So it's pretty good beyond that.

3. Polyrhythm -extra short edit-

No!!!!!!!  Why did they decide to do this.  They took the part that made the song what it was and destroyed it.  It still is a good song but stripping it's repetitive part is just unholy.  At least it's Polyrhythm and it still is one of their best songs...does this make me sound like I'm advertising the song or what?

Polyrhythm is the best single Perfume has released.  I mean the A-side is magically delicious to listen to, except for that poor excuse of an edit.  SEVENTH HEAVEN was surprisingly good and the choice to leave it off of "GAME" was pretty bad since it would've fit easily.  Other than that...AWESOME SINGLE

Ya hace un año habían hecho allí el Tributo Australiano de Pink Floyd, como sitio multitudinario no está mal, sólo espero que no vuelven a hacer la misma bestialidad de poner un V.I.P. con sillas hasta la media cancha y el perraje pa tras pal coño, aunque asumo que ellos plantean este como otro tipo de evento. Por otro lado es un sitio bastante fresco, incluso pudiese llegar a haber neblina en ese pequeño pedazo de Siberia en Venezuela. Eso si quien no tenga carro para llegar consigase un pana que le de la cola o bajese de la mula pa pagar un taxi que barato no le cobrará, porque el sitio no es ni céntrico ni cerca de la ciudad. Será ver que soluciones da Evenpro para esto.

De resto habrá que ver que mas anuncian, hay hasta el momento varios rumores, que a fin de cuentas son sólo eso, rumores, puede que sean parte del festival, que hagan sus presentaciones por separados o simplemente que ni siquiera vengan. Hasta el momento Oidossucios por un lado habla de las venidas de Bloc Party y Collective Soul , por medios confiables también podría venir Mars Volta, aunque sólo está en conversaciones y al parecer la banda es cara, pero ya de cifras si no se absolutamente nada. Por mi parte hubiese agregado Los Fabulosos Cadillacs para alimentar falsas esperanzas, pero ellos no tienen ninguna de estas 2 fechas libres. Aunque al final quien sabe seguro nos traeran de sorpresa al gran Ignacio Peña que tenemos tiempo que no sabemos de él.

Tu sei cattivo con me
perché ti svegli alle tre
per guardare quei film
un po’ porno

Tu sei cattivo con me
perché mi guardi come se
io fossi un’attrice
porno

Ma quando viene sera
tu mi parli d’amore
e guardandomi negli occhi
mi fai sentire davvero
una donna un po’ porno

ElectroPop in salsa retrò. Equilibri elastici e richiami chançonier. Mica male. Mi mancavano. Appiccicaticcio semplice, divertente, ironico e malizioso al punto giusto. Il Genio. Ecco la scheda su Rockit.

Not a die-hard fan but due to decrease in the number of music to listen, why not. :)

It is the 2nd studio album from PCD.

Tracklist:

1. "When I Grow Up" (Rodney "Darkchild" Jerkins, Rock City) — 4:05
2. "Bottle Pop" (featuring Snoop Dogg) (Fernando Garibay, Sean Garrett, Nicole Scherzinger) — 3:30
3. "Whatcha Think About That" (featuring Missy Elliot) (Polow da Don, Esther Dean, Ron Fair) — 3:48
4. "I Hate This Part" (Lucas Secon, Wayne Hector, Jonas Jeberg, Cutfather) — 3:39
5. "Takin' Over the World" (Chase N. Cashe of Zone 4 Inc.) — 3:35
6. "Out of This Club" (featuring R. Kelly and Polow da Don) (Polow da Don) — 4:08
7. "Who's Gonna Love You" (Polow Da Don, Nicole Scherzinger, Kara DioGuardi) — 4:00
8. "Happily Never After" (Shea Taylor, Ne-Yo) — 4:49
9. "Magic" (Timbaland, Jerome "J-Roc" Harmon, The Clutch) — 3:41
10. "Halo" (Timbaland, Jerome "J-Roc" Harmon, The Clutch) — 5:24
11. "In Person" (Timbaland, Jerome "J-Roc" Harmon, The Clutch) — 3:35
12. "Elevator" (Rodney "Darkchild" Jerkins, LaShawn Daniels, Lady GaGa) — 3:41
13. "Hush Hush" (Ron Fair) — 3:48
14. "Love the Way You Love Me" (Chase N. Cashe of Zone 4 Inc.) — 3:21
15. "Whatchamacallit" (Timbaland, Jerome "J-Roc" Harmon, The Clutch) — 4:19
16. "I'm Done" — 3:18

Bonus Disc:

1. "If I Was a Man" (Introducing Jessica Sutta) — 3:31
2. "Space" (Introducing Melody Thornton) — 3:08
3. "Don't Wanna Fall in Love" (Introducing Kimberly Wyatt) — 3:21
4. "Played" (Introducing Ashley Roberts) — 3:20
5. "Until U Love U" (Introducing Nicole Scherzinger) — 3:39

cheers & GB...

Track Listing

1. PRECIOUS
2. CANDY
3. PRECIOUS end of summer mix

1. PRECIOUS

So this new era starts with this kind of girly track.  I actually enjoyed it with the PV so much R.I.P. Nagi (director of PV).  It's got such a magical and yet dance feeling to it.  It's quite the happy track and being a Nakata track it's another great A-side released this year.  Though y'know I can't help but think dancing cats for some reason....x.x

2. CANDY

So, when I first saw this track, I thought it'd be uber cute and girly even moreso than "PRECIOUS".  Then to find out that it's like a more softer and slower version of "Macaroni".  This reminds me of her past works just as much.  She's borderline whispering/singing the chorus.  Sadly, this isn't as memorable as her other B-sides have been.

3. PRECIOUS end of summer mix

Hmmm, this remix is so jumpy, though it still retains majority of the main arrangement.  There was not really much of a drastic change to the song.  I guess the addition of acoustic guitar does make it more summery.  I just wished there was more differences to it.

MEG's first single of the era was pretty much a letdown.  I was expecting more especially with all that Nakata has been doing for his other artists.  PRECIOUS though is the only awesome track from here.  Very disappointing b-side and remix...

Rocko Schamoni - Heart Of Plastic (Egoexpress Remix)

A funny electropop from Hamburg's pranksters.

Lyrics

This openly sexual dance/pop number opens with a number of layered guitars, descending into the lower frequencies as synthetic basses enter with the verse. After some hard-to-hear vocals, the singer jumps an octave into a synthetically sweet tone, (not to mention much more audible), in what passes for a chorus. Following a sigh-filled interlude, the same formula is used again, before the song enters a Portuguese phase and fades out to a refrain that loosely translates to 'he was a great !@£*, and so am I'.

As is customary for a electro-pop song such as this, the same instrumental patterns are used throughout; a punchy kick drum leads a straightforward dance rhythm, whilst a spread out combination of dance-y guitars and synthetic basses repeat the same addictive hooks and keep the mix busy. Lyrical content is appropriately simple, with a musically themed verse ("From all the drinks the one I like more is music") meshing with a musically themed chorus ("Music is my boyfriend / music is my girlfriend").

Overall, a snappily produced and highly addictive dance song. The sugary hooks will prompr you to hit the 'repeat' button, and while the lyrics are far from complex, they're definitely fun.

Pros: well mixed, very addictive, fun lyrics.

Cons: lacks variety and depth.

Rating: 8.7 / 10

Request a review!

Lily Allen is currently working on a new album called Stuck On The Naughty Step in which she's moving away from her usual ska-type songs to electropop. And it's awesome.

Lily Allen says the title of the album is a reference to all those people who say she's a bad person for the ever-so-slightly crude and drunken lifestyle she leads. "In England, when kids are naughty, they get sent to sit on the naughty step. I feel like I'm stuck in a hole where people say, 'Lily, you're bad. Go think about what you've done.'"

Guess Who Batman (Fuck You Very Much) by Lily Allen
[audio http://www.schoolofmix.com/music/sp-fuckyou.mp3 ]

I Could Say by Lily Allen
[audio http://www.seeqpod.com/api/best?m=b36433fb23ad5209d09f18fd31f5d288a348a22a ]

I Don't Know by Lily Allen
[audio http://www.seeqpod.com/api/best?m=b96a7ce0f95e3819855a8145ab560c662fc07d16 ]

1917 Princess Anne St
Fredericksburg, VA 22401
(540) 371-0300

www.centralstationva.com

http://www.myspace.com/screevinylimage

http://www.myspace.com/tearwave

http://www.myspace.com/soundpool

http://www.myspace.com/stellarscope

http://www.myspace.com/theobit

http://www.myspace.com/theantiques

http://www.myspace.com/skydiversmusic

http://www.myspace.com/northernvalentine

http://www.myspace.com/remora

http://www.myspace.com/theoppositesex

http://www.myspace.com/myotis

http://www.myspace.com/solartemplesuicides

http://www.myspace.com/2090

Para los fanaticos del Tecktonik, les cuento que Yelle ha confirmado su presentación en Chile el

27 Septiembre en la Discotheque Kubix ( Dominica 594 / Esquina Recoleta )

Los Valores Son Los Siguientes:

$9000 Preventa (Comienza desde el 05 de Septiembre)

$11000 General

La fiesta Postshow que se realizará en Kubix, incluye en el Line Up a los siguientes Djs

Mono Parra
Julián García-Reyes
Pía Sotomayor
Fernanda Arrau

Mas Información en :

http://www.radiohorizonte.cl

http://www.nnm.cl

Acá su ultimo Single 'Ce Jeu'

Allá por el 2007, coincidiendo con el nuevo auge del electropop chileno, Mauro Concha, quien se encarga de cantar y escribir las letras, y Tomas Leiva, que maneja los teclados y sintetizadores, dan por creado a Malbadisco, con su primara canción 'Lady Bionika', que es en realidad un cover alterado de 'Lady, no te pintes los ojos de azul' del antiguo grupo Mocedades.

Nacido como un juego que fue tomando un rumbo inesperado, estos chicos se dedicaron a crear mas canciones en las que dominaran los sonidos electronicos bailables y pegajosos. Ese mismo año terminaron su primer EP: 'Disque Amistad'que incluia la ya conocida 'Lady Bionika', mas 'Lejos' y ' Tentación'.

Tiempo mas tarde lanzaron un nuevo single llamado 'Y Bailar' muy en onda discotequera y repegajosa. Sin duda un acierto a la hora de pasar un buen rato bailando, porque las canciones te hacen mover la patita, y mucho.

Los puede escucharen su MySpace o en Facebook.
Y si desean hacerse con su Ep y Single en formato digital, en el Blog de Remaro lo pueden hacer.

Disque Amistad EP / Y Bailar (Single)

http://www.skidmark.org/index.htm?Artists/Stellarscope.htm~mainFrame

(1375 total words in this text)
(2615 Reads)   

Philadelphia’s Stellarscope is a duo that has been creating concoctions of lush noise for a few years now. They are in the process of releasing two wonderful works of shoegaze goodness: “Wasted Time” EP and the full-length “Reverberations”. Tommy Lugo and Bob Forman from the band answered our questions about this up and coming musical force.

How did you guys get your start in music?

Tommy Lugo- I started singing & playing bass in punk rock bands in the late 80s, though I was singing since I was a kid. My first year of college, while singing in the Puerto Rican Band Arnold Layne, I was introduced to shoegaze by longtime friend, guitarist and band-member Gardy Perez and it changed my world forever.

Bob Forman- I come from a musical background- my mother was a pianist & my sister plays classical flute. I wanted to play the drums because I wanted to be like Keith Moon (The Who), & John “Bonzo” Bonham (Led Zepellin).

And how did Stellarscope form?

Tommy Lugo- I started stellarscope (actually initially the project was called theflow) back in 1995 after the break-up of Arnold Layne. It was meant to be a solo project but I found some people that were interested in playing out & recording with me so we did. Then I moved to the Philly suburbs and met Bob…

Bob Forman- I joined Stellarscope in 1998 through an ad that I responded to… and I have been the only other member of Stellarscope that hasn’t left or been fired…hahaha… we have a revolving door of musicians that come and go.

What influences does your band have, musically, lyrically, etc.

Tommy Lugo- From my end I’d say Joy Division, The Cure, Bauhaus, Love-n-Rockets, My Bloody Valentine, Ride, Radiohead, Slowdive, Pink Floyd… and the list goes on.

Bob Forman- I’m from the old school of rock… Pink Floyd, Rush, Genesis, Led Zeppelin, The Who… though I also loved the drumming of Smashing Pumpkin’s Jimmy Chamberlin.

How do you write and record songs as a band?

Tommy Lugo- I tend to write all of the music, then I bring it in, and we jam and figure out what we want to do with it. We also jam a lot so some music comes together that way. We record in simple fashion… as a 3 piece… bass, drums, & guitar (that is if there is a bass-player), then we do the multi-tracking and a lot of the times we keep our first takes- because it seems to carry a rawer element.

Bob Forman- yeah, we love to jam… can we jam now?

On your "Reverberations" release, you changed your style to include drum machines and electronics...why did you experiment with these new sounds, and are you pleased with the results?

Tommy Lugo- Reverberations was an experiment of sorts… we were working on an album for Enraptured/Endorphins Records (UK) and I came up with the idea of having the members of stellarscope at the time to write & record their own individual songs since we all had solo electro-pop projects , then once the base of the individual recordings was done we exchanged what we had done amongst ourselves we recorded what we wanted to add and we had Dave Juncos (of Dimazza –our keyboard player at the time) mix it down, then I recorded all of the vocals and did the final mix & mastering. None of us had heard the final product until that time. Needless to say I was very satisfied with the result. It is more open & sad in terms of sound and sadness makes me happy. I’ll take this time to say thank you to Mike Meyers, Dave Juncos, & Jim Snyder because they were all instrumental in the creation of Reverberations.

Bob Forman- I have no comment… I just sat there…hahahaha

How important are lyrics (in comparison with your sounds)...how do you balance the two?

Tommy Lugo- Lyrics to me are as important as the music… it is the extension of the feelings of a moment. We look as music as art… so the lyrics are the finishing touches of the masterpiece. Though sometimes they are buried in the walls of noise your subconscious will still receive the intended message. Funny, people who read the lyrics tend to say they are darker compared to the music…

Bob Forman- Tom, that’s all you…

What do you think of the current shoegaze/dream scene?

Bob Forman- What scene? Jajaja I didn’t know… maybe somebody forgot to tell me about it…

Tommy Lugo- I love the bands of the underground… like a place to bury strangers, skywave, alcian blue, project skyward, sciflyer, highspire, autodrone, resplandor, un.real, etc. And because I love this music is why I work so hard at putting together shows, tours, & festivals, which I have done since 1998 in the east coast of the USA. There’s so much talent out there being overlooked, it is a shame so, I am trying to do my part… more people should be doing it for their own cities and they would see the growth. To tell you the truth I like the underground bands more so than the ones that are getting attention… maybe it’s because the purity of what they are doing. Props to all of you out there pouring your hearts out.

How has your music been received in the scene?

Bob Forman- What scene? Hahaha

Tommy Lugo- Other than some fans & some fellow bands that we play with I don’t think people get what we do… we have heard “you are too British for the Americans, too American for the British”, “the vocals are too upfront that’s not shoegaze”, “it’s too noise-y”, ”it’s too rock”, “there are too many changes”, etc. Our music is a lot different than most of the bands in the scene because we want our music to reflect all of our influences from classic rock to jazz to goth to shoegaze to alternative rock. Innovation is key. That is why we treat every album as an entity of its own, and morph, bend, twist, & turn things to the next finished work of art.

Tommy, I know you are Puerto Rican...how has your music been received by other Puerto Ricans?

Tommy Lugo- all who has heard what we do like it, which is simply delightful. I am pretty well known in PR so it’s really cool to have your people open their arms to you.

Is there even a Puerto Rican shoegaze/dreampop movement out there?

Tommy Lugo-There isn’t a Rican shoegaze/dreampop movement per sé but there is a cool underground movement brewing… there’s my friend Gardy Perez’s band Un.Real- which is an awesome shoegaze band. You also have bands like Balun- which is an excellent dark electro-pop band, Cornucopia- dark ambient, Burning Faces- dark goth like experimental rock, and more like Descojon Urbano, Introdujos, Suite, etc.

What do you think of the "independent revolution" occurring right now in music as a result of the internet and home studios?

Bob Forman- I think it is great it is opening more doors for artists that deserve to be heard by a broader audience.

Tommy Lugo- I’m with Bob on this one…

What are some CD's that you're into right now?

Bob Forman- bands I’m into right now are the Secret Machines, Lake Trout, Queens of the Stone Age, The White Stripes, & the Music.

Tommy Lugo- I’ve been listening to Skywave’s Sythstatic, Project Skyward’s Strange Synchronicities, Balun’s While Sleeping, Lake Trout’s Another One Lost, Autodrone’s demo, & A Place To Bury Strangers’ demo.

Do you have any other projects besides Stellarscope that you are working on?

Bob Forman- I’m Stellarscope all the way.

Tommy Lugo- I have my solo project Panophonic… it is my avenue to express the mess that is constantly in my head… I’ve recorded 9 full length albums in the past 2 year’s, just finished another one and I am working on 2 more… that’s what you can do when you don’t sleep…hahaha.

What's in the future for Stellarscope?

Bob Forman- I don’t worry about the future… what come will come. Tommy Lugo- noise sweet noise… music sweet music… a bigger fan base & more exposure would be nice…

Any other comments?

Bob Forman- Everything sux…….. except, I guess, Stellarscope!

Tommy Lugo- …come and drown in a sea of lush noise.

http://www.somewherecold.com/modules.php?op=modload&name=Sections&file=index&req=viewarticle&artid=136&page=1

Tommy Lugo nos presenta Living under the radar, último LP hasta la fecha.

El significado técnico de Stellarscope es planisferio estelar. Se entiende pues, por un mapa estelar en donde se pueden observar alrededor de 1500 estrellas. El nombre del grupo siempre ha identificado a la perfección vuestra idea de la banda, lo que queréis mostrar al público, un sonido verdaderamente espacial...

El universo es el perfecto ejemplo de la unión de caos y orden. La creación musical para nosotroros es igual... el caos constante de ideas y sonidos y el orden de ejecutar el mismo de manera coherente.

Living under the radar es vuestro último trabajo (Pateticorecordings 2006). Contarnos que es lo que dio sentido a este nuevo trabajo...

Queríamos crear algo diferente y a la vez familiar a los oidos. Es el trabajo mas crudo y pesado que hemos creado, en vez de las capas sónicas etéreas que usualmente utilizamos en grabación, decidimos hacer algo con el sentimiento que nos separa de las demas bandas del ámbito pero esta vez con un sonido más armónico, linear, y a la vez demostrar el crecimiento con musicos y seres humanos. 

El disco comienza con The Penitence, mezcla armónica entre guitarras atmosféricas y ritmos trepidantes de batería. Incluso encontramos en posteriores canciones violines y xilófonos... ¿Le habéis dado mayor potencia instrumental a este disco, o eso es lo qué parece?

Este disco destaca más por el tipo de grabación pero nosotros siempres hemos tratado de incorporar diferentes instrumentos para añadir a la textura del sonido... en creaciones pasadas y en presentaciones en vivo se han utilizado trompetas, flautas, violines, zampoñas, lap steel, saxophone, cuatros (guitarra 8 cuerdas puertoriqueña), y más. La idea es progresar y evolucionar constantemente.

Vuestro sonido se ha definido habitualmente como shoegazer, aunque tocáis diferentes palos como el punk, el post rock o incluso el rock progresivo. Desde 1995 os habéis refugiado en este género tan underground. ¿Qué descubristeis en el shoegaze que cambió vuestras vidas?

Yo aprendí del género al principio de los 90s, y me cautivó porque era lo mejor del rock psicodélico y a la vez tenía un sentimiento post punk. Como músicos, con influencias muy distintas, hemos tratado de incorporar todas las ideas y estilos aunque siempre con el sonido etéreo envuelto.

Seguidores de grupos como My Bloody Valentine o Chapterhouse os conocen lo suficiente como para avalar toda vuestra carrera musical. ¿Creéis qué vuestra respuesta musical está a la altura de estas formaciones?

Nuestra misión siempre ha sido el crear algo distinto a lo creado anteriormente pero utilizar la influencias del género como base de lo que hacemos. Compararnos con los “heroes” de este género sería sacrilegio... sería como uno compararse con los Beatles... muchos ha expandido el sonido y puede ser que técnicamente sean mejores pero nadie en realidad se compara.
 
Sois de Philadelphia, Pennsylvania ¿Cómo es el panorama shoegaze en vuestra ciudad y periferia? ¿Hay esperanza...?

Philadelphia siempre ha sido un ciudad con inclinaciones a lo psicodélico pero no ha sido fácil por la gran competencia de bandas locales, pero las cosas siempre están mejorando y el apogeo sigue creciendo. Aquí en Estado Unidos de Norte América hay un creciento de la escena neo psicodélica y tenemos esperanzas de que continue creciendo y eso ayudará a todas las bandas que han estado envueltas en el género por mucho tiempo. Yo de mi parte he creado varias giras y festivales (Popnoise Fest y Walls of Soundfest) para promover este sonido y he trabajado con bandas como Highspire, Malory, Resplandor, Airiel, Shade, Lockgroove, Hollophonic, Mean Red Spiders, Skywave, A Place To Bury Strangers, Skydivers, Alcian Blue, Sciflyer, Project Skyward, Hartfield, y muchas más. Este verano estaré en Puerto Rico promoviendo el festival Popnoise Fest con tres presentaciones en varias partes de la isla.

Tommy Lugo, cantante y guitarra de Stellarscope y creador de Panophonic - proyecto en solitario con una inclinación electrodark con canciones en castellano- es de origen puertorriqueño. ¿Nunca pensaste en producir un disco en español con Stellarscope?

He grabado varios temas con Stellarscope en español pero la base de nuestra fanaticada es variada globalmente y el inglés es el idioma más entendido. Panophonic comenzó como un projecto instrumental pero muchos de los fans me pidieron que añadiera vocales y decidí en ese momento hacer la mayoría de los temas en español ya que el sonido, aunque es dreampop electrónico, tiene un sentimiento tropical y/o latinoamericano escondido en las capas de ruidos. Actualmente estoy terminando varios CDs de colaboraciones con artistas invitados que incluyen a integrantes de Tearwave, APTBS, Alcian Blue, Ceremony, Remora, Sonic Boom, Astrid Proll (PR), Un.Real (PR), Burning Face (PR), Circo (PR), Panda Riot, Psiconautas (PR), Loveliescrushing/Astrobrite/Star, Cornucopia, Autodrone, y muchisimos más... serán 5-6 lanzamientos para finales del verano, Dios mediante.

¿Cómo nació el sello Pateticorecordings? ¿Con qué bandas contáis ahora mismo y qué proyección tienen en América?

El sello nació como una vía idónea para exponer nuestra música, ya que nunca hemos tenido la oportunidad de tener el apogeo de una casa disquera... es lo que sucede cuando una banda quiere hacer las cosas a su manera (siempre nos encontramos con lo mismo... somos demasiado rock para los sellos que promueven el shoegaze/dreampop, y somo demasiado shoegaze/experimental para los sellos que promueven el rock alternativo), pero también hemos lanzado varios compilados, y hemos distribuido lanzamientos de Cielo (España), Silvania (Perú), Resplandor (Perú), y ATP (Japón). Veremos como todo se mueve en los próximos años y podremos lanzar más artistas de interés.

Entrevista: Carlos Indypendiente

TEST INDYPENDIENTES

Philadelphia o San Juan? San Juan... cielo y oceano con ritmo musical.
Un viaje interespacial? Andromeda nos espera...
El primer cassette que comprasteis... Joy Division- Unknown Pleasures.
Una banda actual... A Place to Bury Strangers- la mejor banda del género moderno shoegaze. Oliver (el cantante) también tiene una línea de pedales personalizados que están fuera de este mundo llamado Death By Audio los cuales utilizo.
Una sala de conciertos de Philadelphia... Johnny Brenda’s (nuevo local dedicado el rock experimental en todas sus vertientes).
Joy Division o NIN? Joy Division... para siempre aunque Trent Reznor es un genio.
Un Film... Pan’s Labyrinth
Mp3 o Wav? MP3
La mejor canción shoegaze... You made me realize- My Bloody Valentine.
El equipo instrumental que lleváis a vuestros conciertos... 3 amplificadores de guitarras, amplificador de bajo, guitarras, bajo, batería, lap steel, trompeta, saxophone, samplers, teclados, y 20 15 pedales de efectos.
Vinilo o CD? CD.

Transmissions Stellarscope Official website

www.myspace.com/pateticorecordings

Popnoise Festival

http://indypendientes.com/STELLARSCOPE.html

"...the impressive breadth of Lugo’s talents"

http://leonardslair.wordpress.com/2008/08/17/review-panophonic-untouched-in-ages/